Tina Rivers Ryan
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 "Spelling It Out: Chryssa in Context," Chryssa, exh. cat. (New York: Dia, forthcoming 2023).
"Entering the Picture: Matt Mullican's Virtual Photography," in Matt Mullican: Photographs Catalogue 1967-2018, exh. cat. (Milan: Pirelli HangarBicocca, 2019), 33-44.
"Vintage Visions," in Oriol Vilanova: Anything, Everything, exh. cat. (Buffalo: The Albright-Knox Art Gallery, 2019), n.p.
 "Celluloid Computing: Tony Conrad's Early Films and the Digital Imaginary," in Introducing Tony Conrad: A Retrospective, exh. cat. (Buffalo: The Albright-Knox Art Gallery, 2018), 67-76.
​“Plotting the Future: Paper and the Evolution of Digital Art,” in the Papier art fair catalog (Montreal: Papier, 2018), n.p. 
“Blown Circuits: Technology and Irrationality in Postwar Art,” in Delirious: Art at the Limits of Reason, 1950-1980, exh. cat. (New York: The Metropolitan Museum of Art/Yale University Press, 2017), 76-95.
“Towards a Stroboscopic History: An Interview with Gerd Stern of USCO,” in Hippie Modernism, exh. cat. (Minneapolis: Walker Art Center, 2015), 375-82.
"Plugged In, Turned On: The Electronic Light Art of Light/Motion/Space," in Living Collections Catalogue vol. II: Art Expanded, 1958-1978 (Minneapolis: Walker Art Center, 2015).
“American Ships,” in Zak Kitnick 1-4 (New York: Clifton Benevento Gallery, 2014), 125-7.
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  • Home
  • Exhibitions
  • Publications
    • Catalog Essays
    • Academic Essays
    • Magazine Articles
    • Artforum Reviews and Previews
    • Other Publications
  • Events
    • Invited Lectures
    • Conversations
    • Juries
    • Panels: Invited
    • Panels: Organized
  • Press Clippings
  • Contact