"Plug-In Prometheus," Chryssa, exh. cat. (New York: Dia, forthcoming 2023).

“Infra-Thin: Dimensions of Augmented Reality,” in Alex Israel x Snapchat, exh cat. (Miami: The Bass, forthcoming 2022).

"Entering the Picture: Matt Mullican's Virtual Photography," in Matt Mullican: Photographs Catalogue 1967-2018, exh. cat. (Milan: Pirelli HangarBicocca, 2019), 33-44.

(with Paul Vanouse) “Difference Machines: Technology and Identity in Contemporary Art,” in Difference Machines User Guide, exh. pamphlet (Buffalo: Albright-Knox Art Gallery, 2021), 12-33.

"Vintage Visions," in Oriol Vilanova: Anything, Everything, exh. cat. (Buffalo: The Albright-Knox Art Gallery, 2019), n.p.

"Celluloid Computing: Tony Conrad's Early Films and the Digital Imaginary," in Introducing Tony Conrad: A Retrospective, exh. cat. (Buffalo: The Albright-Knox Art Gallery, 2018), 67-76.

​“Plotting the Future: Paper and the Evolution of Digital Art,” in the Papier art fair catalog (Montreal: Papier, 2018), n.p. 

“Blown Circuits: Technology and Irrationality in Postwar Art,” in Delirious: Art at the Limits of Reason, 1950-1980, exh. cat. (New York: The Metropolitan Museum of Art/Yale University Press, 2017), 76-95.

“Towards a Stroboscopic History: An Interview with Gerd Stern of USCO,” in Hippie Modernism, exh. cat. (Minneapolis: Walker Art Center, 2015), 375-82.

"Plugged In, Turned On: The Electronic Light Art of Light/Motion/Space," in Living Collections Catalogue vol. II: Art Expanded, 1958-1978 (Minneapolis: Walker Art Center, 2015).

“American Ships,” in Zak Kitnick 1-4 (New York: Clifton Benevento Gallery, 2014), 125-7.