"Skews, Simulations, and Satellites: Digital Art in the 1970s and 1980s," in Digital Art (London: V&A, forthcoming 2024). 

"A Sanctuary Without Walls: On Video In and Beyond the Art Museum," in Video After Television (San Francisco: no place press, forthcoming 2024). 

"From Gold to Glitch: On the Baroque Aesthetics of AES+F," in AES+F (New York: Rizzoli, 2022), 380-85.

"In Conversation: Tina Rivers Ryan and Caroline Woolard," in Art, Engagement, Economy: The Working Practice of Caroline Woolard (Eindhoven: Onomatopee, 2020), 46-53.

“'Before it Blows Up’: ZERO’s American Debut, and Its Legacy,” in The Artist as Curator: Collaborative Initiatives in the International ZERO Movement, 1957-1967, eds. Tiziana Caianiello and Mattijs Visser (Düsseldorf: ZERO foundation/Ghent: AsaMER, 2015), 363-69.

“Reflection: Efficient Causation and Art,” in Efficient Causation (Oxford Philosophical Concepts), ed. Tad M. Schmaltz (Oxford: Oxford University Press, 2014), 311-16.

"The Proliferation of the Sun: ZERO and the Medium of Light in Late 1960s America," in The Medium of Light and the Neo-Avant-Garde of the 1950s and 1960s, eds. Andrea von Hülsen-Esch and Dirk Pörschmann (Düsseldorf: Düsseldorf University Press, 2013), 75-109.